Jewell Parker Rhodes
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About Jewell Parker Rhodes
Dr. Jewell Parker Rhodes is an award-winning and New York Times bestselling author and educator for both youth and adults. She is the author of seven books for children including the New York Times bestsellers Ghost Boys and Black Brother, Black Brother, both named Amazon’s Best Children’s Books of the Year. Her other books include Paradise on Fire, Towers Falling, and the Louisiana Girls Trilogy: Ninth Ward, Sugar, and Bayou Magic.
Jewell is the author of six adult novels: Voodoo Dreams, Magic City, Douglass’ Women, Season, Moon, and Hurricane, as well as the memoir Porch Stories: A Grandmother’s Guide to Happiness, and two writing guides, Free Within Ourselves: Fiction Lessons for Black Authors and The African American Guide to Writing and Publishing Non-Fiction.
Jewell has won the American Book Award, the Black Caucus of the American Library Award for Literary Excellence, and the Jane Addams Peace Association Book Award.
Jewell regularly visits schools, a speaker at colleges and conferences. The driving force behind all of her work is to inspire social justice, equity, and environmental stewardship.
Jewell is the Founding Artistic Director and Piper Endowed Chair at the Virginia G. Piper Center for Creative Writing at Arizona State University. She was awarded an Honorary Doctorate of Humane Letters from Carnegie-Mellon University. Born in Pittsburgh, Pennsylvania, she currently lives in Seattle.
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Titles By Jewell Parker Rhodes
Only the living can make the world better. Live and make it better.
Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.
Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions.
Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today's world, and how one boy grows to understand American blackness in the aftermath of his own death.
Framed. Bullied. Disliked. But I know I can still be the best.
Sometimes, 12-year-old Donte wishes he were invisible. As one of the few black boys at Middlefield Prep, most of the students don't look like him. They don't like him either. Dubbing him "Black Brother," Donte's teachers and classmates make it clear they wish he were more like his lighter-skinned brother, Trey.
When he's bullied and framed by the captain of the fencing team, "King" Alan, he's suspended from school and arrested.
Terrified, searching for a place where he belongs, Donte joins a local youth center and meets former Olympic fencer Arden Jones. With Arden's help, he begins training as a competitive fencer, setting his sights on taking down the fencing team captain, no matter what.
As Donte hones his fencing skills and grows closer to achieving his goal, he learns the fight for justice is far from over. Now Donte must confront his bullies, racism, and the corrupt systems of power that led to his arrest.
Powerful and emotionally gripping, Black Brother, Black Brother is a careful examination of the school-to-prison pipeline and follows one boy's fight against racism and his empowering path to finding his voice.
Twelve-year-old Lanesha lives in a tight-knit community in New Orleans' Ninth Ward. She doesn't have a fancy house like her uptown family or lots of friends like the other kids on her street. But what she does have is Mama Ya-Ya, her fiercely loving caretaker, wise in the ways of the world and able to predict the future. So when Mama Ya-Ya's visions show a powerful hurricane--Katrina--fast approaching, it's up to Lanesha to call upon the hope and strength Mama Ya-Ya has given her to help them both survive the storm.
From the New York Times bestselling author of Ghost Boys and Towers Falling, Ninth Ward is a deeply emotional story about transformation and a celebration of resilience, friendship, and family--as only love can define it.
When her fifth-grade teacher hints that a series of lessons about home and community will culminate with one big answer about two tall towers once visible outside their classroom window, Dèja can't help but feel confused. She sets off on a journey of discovery, with new friends Ben and Sabeen by her side. But just as she gets closer to answering big questions about who she is, what America means, and how communities can grow (and heal), she uncovers new questions, too. Like, why does Pop get so angry when she brings up anything about the towers?
Award-winning author Jewell Parker Rhodes tells a powerful story about young people who weren't alive to witness this defining moment in history, but begin to realize how much it colors their every day.
It's city-girl Maddy's first summer in the bayou, and she just falls in love with her new surroundings - the glimmering fireflies, the glorious landscape, and something else, deep within the water, that only she can see. Could it be a mermaid? As her grandmother shares wisdom about sayings and signs, Maddy realizes she may be the only sibling to carry on her family's magical legacy. And when a disastrous oil leak threatens the bayou, she knows she may also be the only one who can help. Does she have what it takes to be a hero? Jewell Parker Rhodes weaves a rich tale celebrating the magic within.
Addy is haunted by the tragic fire that killed her parents, leaving her to be raised by her grandmother. Now, years later, Addy’s grandmother has enrolled her in a summer wilderness program. There, Addy joins five other Black city kids—each with their own troubles—to spend a summer out west.
Deep in the forest, the kids learn new (and to them) strange skills: camping, hiking, rock climbing, and how to start and safely put out campfires. Most important, they learn to depend upon each other for companionship and survival.
But then comes a devastating forest fire…
Addy is face-to-face with her destiny and haunting past. Developing her courage and resiliency against the raging fire, it’s up to Addy to lead her friends to safety. Not all are saved. But remembering her origins and grandmother’s teachings, she’s able to use street smarts, wilderness skills, and her spiritual intuition to survive.
"A compelling page-turner that will keep readers hoping against hope that everything will somehow, magically, turn out for the best." — Atlanta Journal-Constitution
With a new Afterword from the author reflecting on the 100th anniversary of one of the most heinous tragedies in American history—the 1921 burning of Greenwood, an affluent black section of Tulsa, Oklahoma, known as the "Negro Wall Street"—Jewell Parker Rhodes’ powerful and unforgettable novel of racism, vigilantism, and injustice, weaves history, mysticism, and murder into a harrowing tale of dreams and violence gone awry.
Tulsa, Oklahoma, 1921. A white woman and a black man are alone in an elevator. Suddenly, the woman screams, the man flees, and the chase to capture and lynch him begins.
When Joe Samuels, a young Black man with dreams of becoming the next Houdini, is accused of rape, he must perform his greatest escape by eluding a bloodthirsty mob.
Meanwhile, Mary Keane, the white, motherless daughter of a farmer who wants to marry her off to the farmhand who viciously raped her, must find the courage to help exonerate the man she accused with her panicked cry.
Magic City evokes one of the darkest chapters of twentieth century, Jim Crow America, painting an intimate portrait of the heroic but doomed stand that pitted the National Guard against a small band of black men determined to defend the prosperous town they had built.
Jewell is the author of six adult novels (Voodoo Dreams, Magic City, Douglass' Women, and the Marie Laveau mystery trilogy, Season, Moon, and Hurricane), two novels for children (Ninth Ward and Sugar) and several non-fiction books. Her work has won many awards, including the American Book Award, a Coretta Scott King Honor award, and a National Endowment for the Arts Fellowship. She is the founding director of the Virginia G. Piper Center for Creative Writing at Arizona State University.
In her introduction, Jewell Parker Rhodes writes: "Never (in four years of college or five years of graduate school) was I assigned an exercise or given a story example that included a person of color...While the educational system and the publishing world have become progressively more welcoming of African-American authors, there is still little attention to educating, supporting, and sustaining the writing process of African-American authors. Free Within Ourselves is a solid first step--it is the book I wished I had when I started out as a writer. It is meant to be a song of encouragement for African-American artisits and visionaries. Free Within Ourselves is a step-by-step introduction to fictional technique, exploring story ideas, and charting one's progress, as well as a resource guide for publishing fiction."
For the legions of people who have a novel stuck in their word processors, help is finally on the way! Free Within Ourselves is an excellent guide to all the elements necessary to crafting fiction: character development, point of view, plot, atmosphere, dialogue, diction, sentence variety, and revision. Writing techniques are taught using exercises, journaling, story examples, and analyses of famous writing fragments, as well as several complete stories (including those of James Baldwin, Zora Neale Hurston, and Edwidge Dandicat, among others). The book is further enhanced by inspirational advice from successful contemporary black writers (such as Bebe Moore Campbell, Rita Dove, Henry Louis Gates, John Edgar Wideman, and others), a bibliography, and a guide to workshops, journals, magazines, contests, and fellowships supportive of black arts.
·Finding your voice
·Getting to know your literary ancestors
·Overcoming a bruised ego and finding the determination to pursue your dreams
·Gathering material and conducting research
·Tapping sweet, bittersweet, and joyful memories
·Knowing when to keep revising, and when to let go
The guide also features unforgettable excerpts from luminaries such as Maya Angelou, Brent Staples, Houston Baker, and pointers from bestselling African American authors Patrice Gaines, E. Lynn Harris, James McBride, John Hope Franklin, Pearl Cleage, Edwidge Danticat, and many others. It is a uniquely nurturing and informative touchstone for affirming, bearing witness, leaving a legacy, and celebrating the remarkable journey of the self.
From the Trade Paperback edition.
ME VOLTEO. ¿QUIÉN DIJO ESO? AL OTRO LADO DE LA CALLE, LO VEO. TENUE COMO LA LLOVIZNA. ¿UN FANTASMA?
Jerome, de doce años, es la más reciente víctima, asesinada por un policía blanco que confunde su pistola de juguete con una amenaza. Como fantasma, él observa la devastación que se ha desatado en su familia y comunidad a raíz de lo que ven como un asesinato injusto y brutal.
Una vez más, Jewell Parker Rhodes entrelaza hábilmente capas históricas y sociopolíticas en una historia apasionante y conmovedora sobre cómo los niños y las familias enfrentan las complejidades del mundo actual.
“TIME TO WAKE UP.”
I SPIN AROUND. WHO SAID THAT? ACROSS THE STREET, I SEE HIM. WISPY LIKE SOFT RAIN. A GHOST? LIKE ME?
Twelve-year-old Jerome is the latest victim, shot by a white police officer who mistakes his toy gun for a threat. As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Once again Jewell Parker Rhodes deftly weaves historical and sociopolitical layers into a gripping and poignant story
Jewell Parker Rhodes was left in the care of her father and his mother when her own mother abandoned the family. Grandmother Ernestine's house in Pittsburgh, Pennsylvania, was home to four other grandchildren as well. And while its crumbling bricks, lack of air-conditioning, and neighborhood rodents meant that life was anything but easy, the family house was filled with love. Everyone on their street knew and loved Grandmother Ernestine; men would tip their hats and children would rush up for a hug any time she was outside.
No one loved Grandmother Ernestine more than Jewell, who would pass up a movie with her cousins to sit outside on Ernestine's front stoop and listen to her stories and her words of comfort. Jewell would later move out West to live with her mother and father as they reattempted marriage. But that was a short-lived experience. Before long, she was back in the loving arms of her grandmother, whose wisdom and warmth gave all of her children the tools to overcome the ordinary and extraordinary challenges life brings. Porch Stories, described by Rhodes as "an intergenerational love song," is a loving tribute that is at once candid, courageous, and reverent -- a literary portrait of family love that readers from all walks of life can see in themselves.